Полное понимание аудиотекста 8 (Выбор ответа (множественный)
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8. How does Vanessa treat her characters?
1) Like puppets.
2) Like means to impress readers.
3) Like people living their own lives in a story.
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3
Решение
Presenter: Hello, everyone. This is your favorite weekly programme 'Writers'. Today we are happy to have here Vanessa Silva, the famous writer who has won numerous awards for her short fiction. Her novels are described as extraordinarily lyrical, moving, yet funny. Hello, Vanessa.
Vanessa: Good afternoon. Thank you for inviting me.
Presenter: I've always wanted to know how people understand they were born to write books. You see, a writer is not a common profession. When did you first start writing?
Vanessa: I started writing when I was still a child. I produced a newspaper at the age of six. The first issue was written in blue crayon. I wrote dreadful poetry when I was in my teens. I've still got it and it makes me giggle. I didn't write much apart from comedy, skits, and sketches until I started writing fiction properly in late 2002.
Presenter: How did you go about starting your first novel?
Vanessa: I remember I was once shopping in Brighton during a thunderstorm. I dashed into a bookshop and I picked up a random book. I drove home, sat down with some tea in my wet trousers, and I didn't get up again until I'd finished it, 400 pages. I have to thank that man so much. That's when I turned from someone who had bought a book to someone who had become a writer. It pushed the switch. It unlocked the feeling of, I want to do this.
Presenter: Apart from being a writer, you are also a lecturer. How did you get into teaching?
Vanessa: I think I'd found the thing that I loved doing and I wanted to pass on the love of doing it. I'm a totally non-academic tutor. I'm very craft-based, and I try to open up creativity in people, literally, in every person.
Presenter: Do you believe everybody has a story to tell?
Vanessa: I think that storytelling is almost innate in us. People sat round fires and caves in the Stone Age, telling each other stories. I don't think they would have just said, I went off and got a mammoth today. We have an ability to hang on to the important facts and drip-feed people with the important bits. You don't give it all up front. You make them want to know the next bit. Keep them involved by creating the character that draws them in and putting that character in a situation they can empathize with. Make the reader want to find out how they resolve this thing.
Presenter: What is your advice for writers who are just starting?
Vanessa: Read as much as you can, not just the things you're told to read by parents, tutors, and reviewers. Read anything, both good books and bad ones. Whatever genre you want to work in, you've got to get a sense for when you're improving. Write as much as you can, and at some point you will find that the words take on a shape and rhythm of their own. It's almost a physical thing to recognize what it feels like, that moment when you change from being the person in charge of the pen to someone not deliberately creating something. You'll find the point when a character takes off and does their own thing. You need to recognize that and not refuse to let the character do what they want. Don't use the characters as the puppet. Be a tool to the character so you're following along behind them. Listen to your own instincts as a writer and then edit. That may mean cutting a huge amount of words or cutting down a story by a third. I think a lot of writers don't do enough. They leave it raw. There's no point in doing things by half.
Presenter: Thank you, Vanessa. It has been very interesting talking to you.
Vanessa: Thank you.