Вы услышите интервью. В заданиях 3–9 запишите в поле ответа цифру 1, 2 или 3, соответствующую выбранному Вами варианту ответа. Прослушайте запись дважды. Пример ответа: 1 4. Which of the following is TRUE about the writers’ conference? 1) It’s for young writers. 2) It’s an international event. 3) Julia is the only presenter there.

Presenter: Hello everybody. Welcome to our weekly program 'Five Minutes with a Star'. Today in our studio we have Julia Summer, a prolific writer, some of whose books are international bestsellers. Hello, Julia. Julia: Good afternoon. It's a pleasure being here. Thank you for inviting me. Presenter: You will be speaking on establishing pace and plot of a novel and the coming How to Get Published Conference, which is going to be a truly important event for writers from all over the world. At what stage of the writing process does this plotting enter the structure of your novels and how does this affect your overall writing process? Julia: My writing process typically involves a what-if idea or scenario. I'll run it past my agent and editor to see if it gets their approval. Then I'll start to brainstorm it. I'll ask questions of my main character. Who is he or she? What happened in his or her past that shaped his or her personality? And most importantly, what does he or she want more than anything else in the world? Then I'll think about supporting characters, particularly the antagonist. Once I've got my cast, I'll begin thinking about structure. I'll plot on a whiteboard using the four-act structure and add post-it notes for scenes. If I've got time, I'll then run that past my agent and editor in case they have any concerns. And if they give the thumbs up, I'll start writing the first draft. Presenter: Speaking about the coming conference, what would you say is the major benefit for attending publishing events for writers as compared to, say, online resources on the subject? Julia: I think the major difference between online and face-to-face events is energy. Whenever I've taught or attended an event, it's the energy in the room that I really notice. There's a rich atmosphere of expectation, optimism, and motivation that you don't get if you're sitting alone at your computer. There's also the opportunity to swap stories with other attendees, learn from the questions that are asked and the answers given by the speaker. There's a sense of community that you don't get online, and people often leave feeling fired up, motivated, and determined. Presenter: Why do you think it's important to have writers talking about their own pathways and careers at events like How to Get Published? What is it that writers can offer that is different from the advice of editors and agents? Julia: I think writers can offer a completely different perspective to editors and agents. Agents and editors can talk about the process, the mechanics of getting published. But only authors can talk about the emotions involved. We know how it feels to be rejected and to doubt ourselves, and we can share the joys, too. A publisher or agent may feel proud when their author's book is published, but what we feel is so much greater than that. And we all have such different experiences. Presenter: What would you say is the top misconception people have about the process of getting published? Julia: That it's easy, that anyone can write a book, that everyone has a story. Sorry, that's three. The top misconception is probably that it's quick. It's not. Even if you're lucky enough to write one book, get representation from an agent, and a publishing deal, it could be years before that book hits the shelves. Presenter: Thank you, Julia. It has been really interesting talking to you. Julia: Thank you.

Вы услышите интервью. В заданиях 3–9 запишите в поле ответа цифру 1, 2 или 3, соответствующую выбранному Вами варианту ответа. Прослушайте запись дважды. Пример ответа: 1 4. Which of the following is NOT listed as a stage in Julia’s writing process? 1) Thinking on the personality of the main character. 2) Deciding on the supporting characters. 3) Creating outlines before every draft.

Presenter: Hello everybody. Welcome to our weekly program 'Five Minutes with a Star'. Today in our studio we have Julia Summer, a prolific writer, some of whose books are international bestsellers. Hello, Julia. Julia: Good afternoon. It's a pleasure being here. Thank you for inviting me. Presenter: You will be speaking on establishing pace and plot of a novel and the coming How to Get Published Conference, which is going to be a truly important event for writers from all over the world. At what stage of the writing process does this plotting enter the structure of your novels and how does this affect your overall writing process? Julia: My writing process typically involves a what-if idea or scenario. I'll run it past my agent and editor to see if it gets their approval. Then I'll start to brainstorm it. I'll ask questions of my main character. Who is he or she? What happened in his or her past that shaped his or her personality? And most importantly, what does he or she want more than anything else in the world? Then I'll think about supporting characters, particularly the antagonist. Once I've got my cast, I'll begin thinking about structure. I'll plot on a whiteboard using the four-act structure and add post-it notes for scenes. If I've got time, I'll then run that past my agent and editor in case they have any concerns. And if they give the thumbs up, I'll start writing the first draft. Presenter: Speaking about the coming conference, what would you say is the major benefit for attending publishing events for writers as compared to, say, online resources on the subject? Julia: I think the major difference between online and face-to-face events is energy. Whenever I've taught or attended an event, it's the energy in the room that I really notice. There's a rich atmosphere of expectation, optimism, and motivation that you don't get if you're sitting alone at your computer. There's also the opportunity to swap stories with other attendees, learn from the questions that are asked and the answers given by the speaker. There's a sense of community that you don't get online, and people often leave feeling fired up, motivated, and determined. Presenter: Why do you think it's important to have writers talking about their own pathways and careers at events like How to Get Published? What is it that writers can offer that is different from the advice of editors and agents? Julia: I think writers can offer a completely different perspective to editors and agents. Agents and editors can talk about the process, the mechanics of getting published. But only authors can talk about the emotions involved. We know how it feels to be rejected and to doubt ourselves, and we can share the joys, too. A publisher or agent may feel proud when their author's book is published, but what we feel is so much greater than that. And we all have such different experiences. Presenter: What would you say is the top misconception people have about the process of getting published? Julia: That it's easy, that anyone can write a book, that everyone has a story. Sorry, that's three. The top misconception is probably that it's quick. It's not. Even if you're lucky enough to write one book, get representation from an agent, and a publishing deal, it could be years before that book hits the shelves. Presenter: Thank you, Julia. It has been really interesting talking to you. Julia: Thank you.

Вы услышите интервью. В заданиях 3–9 запишите в поле ответа цифру 1, 2 или 3, соответствующую выбранному Вами варианту ответа. Прослушайте запись дважды. Пример ответа: 1 6. What is, according to Julia, the advantage of face-to-face events? 1) Their atmosphere. 2) Their bigger attendance. 3) Possibility to speak there.

Presenter: Hello everybody. Welcome to our weekly program 'Five Minutes with a Star'. Today in our studio we have Julia Summer, a prolific writer, some of whose books are international bestsellers. Hello, Julia. Julia: Good afternoon. It's a pleasure being here. Thank you for inviting me. Presenter: You will be speaking on establishing pace and plot of a novel and the coming How to Get Published Conference, which is going to be a truly important event for writers from all over the world. At what stage of the writing process does this plotting enter the structure of your novels and how does this affect your overall writing process? Julia: My writing process typically involves a what-if idea or scenario. I'll run it past my agent and editor to see if it gets their approval. Then I'll start to brainstorm it. I'll ask questions of my main character. Who is he or she? What happened in his or her past that shaped his or her personality? And most importantly, what does he or she want more than anything else in the world? Then I'll think about supporting characters, particularly the antagonist. Once I've got my cast, I'll begin thinking about structure. I'll plot on a whiteboard using the four-act structure and add post-it notes for scenes. If I've got time, I'll then run that past my agent and editor in case they have any concerns. And if they give the thumbs up, I'll start writing the first draft. Presenter: Speaking about the coming conference, what would you say is the major benefit for attending publishing events for writers as compared to, say, online resources on the subject? Julia: I think the major difference between online and face-to-face events is energy. Whenever I've taught or attended an event, it's the energy in the room that I really notice. There's a rich atmosphere of expectation, optimism, and motivation that you don't get if you're sitting alone at your computer. There's also the opportunity to swap stories with other attendees, learn from the questions that are asked and the answers given by the speaker. There's a sense of community that you don't get online, and people often leave feeling fired up, motivated, and determined. Presenter: Why do you think it's important to have writers talking about their own pathways and careers at events like How to Get Published? What is it that writers can offer that is different from the advice of editors and agents? Julia: I think writers can offer a completely different perspective to editors and agents. Agents and editors can talk about the process, the mechanics of getting published. But only authors can talk about the emotions involved. We know how it feels to be rejected and to doubt ourselves, and we can share the joys, too. A publisher or agent may feel proud when their author's book is published, but what we feel is so much greater than that. And we all have such different experiences. Presenter: What would you say is the top misconception people have about the process of getting published? Julia: That it's easy, that anyone can write a book, that everyone has a story. Sorry, that's three. The top misconception is probably that it's quick. It's not. Even if you're lucky enough to write one book, get representation from an agent, and a publishing deal, it could be years before that book hits the shelves. Presenter: Thank you, Julia. It has been really interesting talking to you. Julia: Thank you.

Вы услышите интервью. В заданиях 3–9 запишите в поле ответа цифру 1, 2 или 3, соответствующую выбранному Вами варианту ответа. Прослушайте запись дважды. Пример ответа: 1 7. How do people feel, according to Julia, leaving face-to-face events for writers? 1) Enthusiastic. 2) Exhausted. 3) Experienced.

Presenter: Hello everybody. Welcome to our weekly program 'Five Minutes with a Star'. Today in our studio we have Julia Summer, a prolific writer, some of whose books are international bestsellers. Hello, Julia. Julia: Good afternoon. It's a pleasure being here. Thank you for inviting me. Presenter: You will be speaking on establishing pace and plot of a novel and the coming How to Get Published Conference, which is going to be a truly important event for writers from all over the world. At what stage of the writing process does this plotting enter the structure of your novels and how does this affect your overall writing process? Julia: My writing process typically involves a what-if idea or scenario. I'll run it past my agent and editor to see if it gets their approval. Then I'll start to brainstorm it. I'll ask questions of my main character. Who is he or she? What happened in his or her past that shaped his or her personality? And most importantly, what does he or she want more than anything else in the world? Then I'll think about supporting characters, particularly the antagonist. Once I've got my cast, I'll begin thinking about structure. I'll plot on a whiteboard using the four-act structure and add post-it notes for scenes. If I've got time, I'll then run that past my agent and editor in case they have any concerns. And if they give the thumbs up, I'll start writing the first draft. Presenter: Speaking about the coming conference, what would you say is the major benefit for attending publishing events for writers as compared to, say, online resources on the subject? Julia: I think the major difference between online and face-to-face events is energy. Whenever I've taught or attended an event, it's the energy in the room that I really notice. There's a rich atmosphere of expectation, optimism, and motivation that you don't get if you're sitting alone at your computer. There's also the opportunity to swap stories with other attendees, learn from the questions that are asked and the answers given by the speaker. There's a sense of community that you don't get online, and people often leave feeling fired up, motivated, and determined. Presenter: Why do you think it's important to have writers talking about their own pathways and careers at events like How to Get Published? What is it that writers can offer that is different from the advice of editors and agents? Julia: I think writers can offer a completely different perspective to editors and agents. Agents and editors can talk about the process, the mechanics of getting published. But only authors can talk about the emotions involved. We know how it feels to be rejected and to doubt ourselves, and we can share the joys, too. A publisher or agent may feel proud when their author's book is published, but what we feel is so much greater than that. And we all have such different experiences. Presenter: What would you say is the top misconception people have about the process of getting published? Julia: That it's easy, that anyone can write a book, that everyone has a story. Sorry, that's three. The top misconception is probably that it's quick. It's not. Even if you're lucky enough to write one book, get representation from an agent, and a publishing deal, it could be years before that book hits the shelves. Presenter: Thank you, Julia. It has been really interesting talking to you. Julia: Thank you.

Вы услышите интервью. В заданиях 3–9 запишите в поле ответа цифру 1, 2 или 3, соответствующую выбранному Вами варианту ответа. Прослушайте запись дважды. Пример ответа: 1 8. In what way is the authors’ advice for young writers different from that of editors? 1) They know the special feelings involved. 2) They are more specific about the process. 3) They never mention getting published.

Presenter: Hello everybody. Welcome to our weekly program 'Five Minutes with a Star'. Today in our studio we have Julia Summer, a prolific writer, some of whose books are international bestsellers. Hello, Julia. Julia: Good afternoon. It's a pleasure being here. Thank you for inviting me. Presenter: You will be speaking on establishing pace and plot of a novel and the coming How to Get Published Conference, which is going to be a truly important event for writers from all over the world. At what stage of the writing process does this plotting enter the structure of your novels and how does this affect your overall writing process? Julia: My writing process typically involves a what-if idea or scenario. I'll run it past my agent and editor to see if it gets their approval. Then I'll start to brainstorm it. I'll ask questions of my main character. Who is he or she? What happened in his or her past that shaped his or her personality? And most importantly, what does he or she want more than anything else in the world? Then I'll think about supporting characters, particularly the antagonist. Once I've got my cast, I'll begin thinking about structure. I'll plot on a whiteboard using the four-act structure and add post-it notes for scenes. If I've got time, I'll then run that past my agent and editor in case they have any concerns. And if they give the thumbs up, I'll start writing the first draft. Presenter: Speaking about the coming conference, what would you say is the major benefit for attending publishing events for writers as compared to, say, online resources on the subject? Julia: I think the major difference between online and face-to-face events is energy. Whenever I've taught or attended an event, it's the energy in the room that I really notice. There's a rich atmosphere of expectation, optimism, and motivation that you don't get if you're sitting alone at your computer. There's also the opportunity to swap stories with other attendees, learn from the questions that are asked and the answers given by the speaker. There's a sense of community that you don't get online, and people often leave feeling fired up, motivated, and determined. Presenter: Why do you think it's important to have writers talking about their own pathways and careers at events like How to Get Published? What is it that writers can offer that is different from the advice of editors and agents? Julia: I think writers can offer a completely different perspective to editors and agents. Agents and editors can talk about the process, the mechanics of getting published. But only authors can talk about the emotions involved. We know how it feels to be rejected and to doubt ourselves, and we can share the joys, too. A publisher or agent may feel proud when their author's book is published, but what we feel is so much greater than that. And we all have such different experiences. Presenter: What would you say is the top misconception people have about the process of getting published? Julia: That it's easy, that anyone can write a book, that everyone has a story. Sorry, that's three. The top misconception is probably that it's quick. It's not. Even if you're lucky enough to write one book, get representation from an agent, and a publishing deal, it could be years before that book hits the shelves. Presenter: Thank you, Julia. It has been really interesting talking to you. Julia: Thank you.