Вы услышите интервью. В заданиях 3–9 запишите в поле ответа цифру 1, 2 или 3, соответствующую выбранному Вами варианту ответа. Прослушайте запись дважды. Пример ответа: 1 4. Alice thinks conflict is necessary for a good dialogue because … 1) in real life we quarrel very often too. 2) it is very interesting to the audience. 3) it reveals characters’ nice sides better.

Presenter: Hello everybody and welcome to our weekly programme, 'A Writer's Workshop'. Today in our studio we have Alice Smith, a writer and a screenwriter who has worked for the best studios in Hollywood. Good afternoon, Alice. Alice: Good afternoon. Thank you for inviting me. It's a pleasure being here. Presenter: In your recent book on writing you speak about the so-called punctuation theory of screenwriting. Could you please explain to us what that is? Alice: Sure, you kind of divide the script into parts. The end of part one ends with a question mark, I mean the major dramatic question or what the protagonist wants has been established. The end of part two ends with an exclamation point, some unexpected or surprising piece of new information that launches the story further. Part three ends with a period which is the resolution or how the major dramatic question has been answered. Presenter: In your book you also discuss character motivation and how conflict is the soul of dialogue. Can you tell us about this? Alice: In real life, we try to avoid conflict. We want to have pleasant, friendly conversations with friends and strangers alike. In a screenplay, watching nice people have nice conversations is boring. A screenwriter can't just have her characters talking. They have to be talking about something that's at stake in a scene. Presenter: What exercise do you recommend for writers to improve their dialogues? Alice: The best exercises to practice writing conflict are to put two characters in a situation where one person wants something and the other doesn't want to give it to him. Try writing a five or ten-page two-character script with only these two characters. Another good one is to have two people who hate each other get stuck in an elevator. Presenter: What is your favourite room in your home? Alice: My favourite room is my office. It's where I feel most creative. I'm surrounded by books, photographs, pictures, my computer and things I've accumulated over the years that are a comfort to me. I like to feel I'm in a safe place when I write. Presenter: What are some of your current and future projects that you can share with us? Alice: I'm currently working on a screenplay and a new political parody. Presenter: Can you tell us about the Future of Story conference coming up in Los Angeles and what your role is? Alice: The Future of Story conference is for screenwriting what WrestleMania is to professional wrestling. A bunch of authors of popular books on the business will be gathered in one place. I'll be participating in one of the panels. Presenter: What are the benefits for writers attending this conference? Alice: Well, being able to meet and talk to authors of books they have read or heard about is important because it puts a human presence to the words. I've gone to events like Listen the Past as a young writer and met and talked with authors I read and admired. I still recall talking with Harlan Ellison and Dean Arconce. Presenter: Tell us the unique opportunities writers have for networking at this upcoming conference. Alice: Besides meeting and talking with authors, events like this bring kindred spirits and like minds together. Screenwriters from all over the country will be there. Friendships form and even new collaborations too. Presenter: Thank you, Alice, for talking with us today. Alice: I've had some great teachers when I was starting out. It's very gratifying to share what I learnt from them, as well as what I've experienced along the way.

Вы услышите интервью. В заданиях 3–9 запишите в поле ответа цифру 1, 2 или 3, соответствующую выбранному Вами варианту ответа. Прослушайте запись дважды. Пример ответа: 1 5. What exercise does Alice recommend to screenwriters to practice dialogues? 1) Getting stuck in a broken lift. 2) Trying to make long conversations. 3) Writing dialogues between just two people.

Presenter: Hello everybody and welcome to our weekly programme, 'A Writer's Workshop'. Today in our studio we have Alice Smith, a writer and a screenwriter who has worked for the best studios in Hollywood. Good afternoon, Alice. Alice: Good afternoon. Thank you for inviting me. It's a pleasure being here. Presenter: In your recent book on writing you speak about the so-called punctuation theory of screenwriting. Could you please explain to us what that is? Alice: Sure, you kind of divide the script into parts. The end of part one ends with a question mark, I mean the major dramatic question or what the protagonist wants has been established. The end of part two ends with an exclamation point, some unexpected or surprising piece of new information that launches the story further. Part three ends with a period which is the resolution or how the major dramatic question has been answered. Presenter: In your book you also discuss character motivation and how conflict is the soul of dialogue. Can you tell us about this? Alice: In real life, we try to avoid conflict. We want to have pleasant, friendly conversations with friends and strangers alike. In a screenplay, watching nice people have nice conversations is boring. A screenwriter can't just have her characters talking. They have to be talking about something that's at stake in a scene. Presenter: What exercise do you recommend for writers to improve their dialogues? Alice: The best exercises to practice writing conflict are to put two characters in a situation where one person wants something and the other doesn't want to give it to him. Try writing a five or ten-page two-character script with only these two characters. Another good one is to have two people who hate each other get stuck in an elevator. Presenter: What is your favourite room in your home? Alice: My favourite room is my office. It's where I feel most creative. I'm surrounded by books, photographs, pictures, my computer and things I've accumulated over the years that are a comfort to me. I like to feel I'm in a safe place when I write. Presenter: What are some of your current and future projects that you can share with us? Alice: I'm currently working on a screenplay and a new political parody. Presenter: Can you tell us about the Future of Story conference coming up in Los Angeles and what your role is? Alice: The Future of Story conference is for screenwriting what WrestleMania is to professional wrestling. A bunch of authors of popular books on the business will be gathered in one place. I'll be participating in one of the panels. Presenter: What are the benefits for writers attending this conference? Alice: Well, being able to meet and talk to authors of books they have read or heard about is important because it puts a human presence to the words. I've gone to events like Listen the Past as a young writer and met and talked with authors I read and admired. I still recall talking with Harlan Ellison and Dean Arconce. Presenter: Tell us the unique opportunities writers have for networking at this upcoming conference. Alice: Besides meeting and talking with authors, events like this bring kindred spirits and like minds together. Screenwriters from all over the country will be there. Friendships form and even new collaborations too. Presenter: Thank you, Alice, for talking with us today. Alice: I've had some great teachers when I was starting out. It's very gratifying to share what I learnt from them, as well as what I've experienced along the way.

Вы услышите интервью. В заданиях 3–9 запишите в поле ответа цифру 1, 2 или 3, соответствующую выбранному Вами варианту ответа. Прослушайте запись дважды. Пример ответа: 1 6. What do we learn about Alice’s working space? 1) It’s in her office at work. 2) It’s packed with her possessions. 3) It’s located in a safe part of the city.

Presenter: Hello everybody and welcome to our weekly programme, 'A Writer's Workshop'. Today in our studio we have Alice Smith, a writer and a screenwriter who has worked for the best studios in Hollywood. Good afternoon, Alice. Alice: Good afternoon. Thank you for inviting me. It's a pleasure being here. Presenter: In your recent book on writing you speak about the so-called punctuation theory of screenwriting. Could you please explain to us what that is? Alice: Sure, you kind of divide the script into parts. The end of part one ends with a question mark, I mean the major dramatic question or what the protagonist wants has been established. The end of part two ends with an exclamation point, some unexpected or surprising piece of new information that launches the story further. Part three ends with a period which is the resolution or how the major dramatic question has been answered. Presenter: In your book you also discuss character motivation and how conflict is the soul of dialogue. Can you tell us about this? Alice: In real life, we try to avoid conflict. We want to have pleasant, friendly conversations with friends and strangers alike. In a screenplay, watching nice people have nice conversations is boring. A screenwriter can't just have her characters talking. They have to be talking about something that's at stake in a scene. Presenter: What exercise do you recommend for writers to improve their dialogues? Alice: The best exercises to practice writing conflict are to put two characters in a situation where one person wants something and the other doesn't want to give it to him. Try writing a five or ten-page two-character script with only these two characters. Another good one is to have two people who hate each other get stuck in an elevator. Presenter: What is your favourite room in your home? Alice: My favourite room is my office. It's where I feel most creative. I'm surrounded by books, photographs, pictures, my computer and things I've accumulated over the years that are a comfort to me. I like to feel I'm in a safe place when I write. Presenter: What are some of your current and future projects that you can share with us? Alice: I'm currently working on a screenplay and a new political parody. Presenter: Can you tell us about the Future of Story conference coming up in Los Angeles and what your role is? Alice: The Future of Story conference is for screenwriting what WrestleMania is to professional wrestling. A bunch of authors of popular books on the business will be gathered in one place. I'll be participating in one of the panels. Presenter: What are the benefits for writers attending this conference? Alice: Well, being able to meet and talk to authors of books they have read or heard about is important because it puts a human presence to the words. I've gone to events like Listen the Past as a young writer and met and talked with authors I read and admired. I still recall talking with Harlan Ellison and Dean Arconce. Presenter: Tell us the unique opportunities writers have for networking at this upcoming conference. Alice: Besides meeting and talking with authors, events like this bring kindred spirits and like minds together. Screenwriters from all over the country will be there. Friendships form and even new collaborations too. Presenter: Thank you, Alice, for talking with us today. Alice: I've had some great teachers when I was starting out. It's very gratifying to share what I learnt from them, as well as what I've experienced along the way.

Вы услышите интервью. В заданиях 3–9 запишите в поле ответа цифру 1, 2 или 3, соответствующую выбранному Вами варианту ответа. Прослушайте запись дважды. Пример ответа: 1 7. What is TRUE about Alice’s current plans? 1) Her new project is connected with humour. 2) She is thinking of a film about businessmen. 3) She is giving a presentation at a conference.

Presenter: Hello everybody and welcome to our weekly programme, 'A Writer's Workshop'. Today in our studio we have Alice Smith, a writer and a screenwriter who has worked for the best studios in Hollywood. Good afternoon, Alice. Alice: Good afternoon. Thank you for inviting me. It's a pleasure being here. Presenter: In your recent book on writing you speak about the so-called punctuation theory of screenwriting. Could you please explain to us what that is? Alice: Sure, you kind of divide the script into parts. The end of part one ends with a question mark, I mean the major dramatic question or what the protagonist wants has been established. The end of part two ends with an exclamation point, some unexpected or surprising piece of new information that launches the story further. Part three ends with a period which is the resolution or how the major dramatic question has been answered. Presenter: In your book you also discuss character motivation and how conflict is the soul of dialogue. Can you tell us about this? Alice: In real life, we try to avoid conflict. We want to have pleasant, friendly conversations with friends and strangers alike. In a screenplay, watching nice people have nice conversations is boring. A screenwriter can't just have her characters talking. They have to be talking about something that's at stake in a scene. Presenter: What exercise do you recommend for writers to improve their dialogues? Alice: The best exercises to practice writing conflict are to put two characters in a situation where one person wants something and the other doesn't want to give it to him. Try writing a five or ten-page two-character script with only these two characters. Another good one is to have two people who hate each other get stuck in an elevator. Presenter: What is your favourite room in your home? Alice: My favourite room is my office. It's where I feel most creative. I'm surrounded by books, photographs, pictures, my computer and things I've accumulated over the years that are a comfort to me. I like to feel I'm in a safe place when I write. Presenter: What are some of your current and future projects that you can share with us? Alice: I'm currently working on a screenplay and a new political parody. Presenter: Can you tell us about the Future of Story conference coming up in Los Angeles and what your role is? Alice: The Future of Story conference is for screenwriting what WrestleMania is to professional wrestling. A bunch of authors of popular books on the business will be gathered in one place. I'll be participating in one of the panels. Presenter: What are the benefits for writers attending this conference? Alice: Well, being able to meet and talk to authors of books they have read or heard about is important because it puts a human presence to the words. I've gone to events like Listen the Past as a young writer and met and talked with authors I read and admired. I still recall talking with Harlan Ellison and Dean Arconce. Presenter: Tell us the unique opportunities writers have for networking at this upcoming conference. Alice: Besides meeting and talking with authors, events like this bring kindred spirits and like minds together. Screenwriters from all over the country will be there. Friendships form and even new collaborations too. Presenter: Thank you, Alice, for talking with us today. Alice: I've had some great teachers when I was starting out. It's very gratifying to share what I learnt from them, as well as what I've experienced along the way.

Вы услышите интервью. В заданиях 3–9 запишите в поле ответа цифру 1, 2 или 3, соответствующую выбранному Вами варианту ответа. Прослушайте запись дважды. Пример ответа: 1 8. What does Alice NOT mention as one of the opportunities of attending screenwriting conferences? 1) Finding like-minded people. 2) Making important connections. 3) Starting new projects.

Presenter: Hello everybody and welcome to our weekly programme, 'A Writer's Workshop'. Today in our studio we have Alice Smith, a writer and a screenwriter who has worked for the best studios in Hollywood. Good afternoon, Alice. Alice: Good afternoon. Thank you for inviting me. It's a pleasure being here. Presenter: In your recent book on writing you speak about the so-called punctuation theory of screenwriting. Could you please explain to us what that is? Alice: Sure, you kind of divide the script into parts. The end of part one ends with a question mark, I mean the major dramatic question or what the protagonist wants has been established. The end of part two ends with an exclamation point, some unexpected or surprising piece of new information that launches the story further. Part three ends with a period which is the resolution or how the major dramatic question has been answered. Presenter: In your book you also discuss character motivation and how conflict is the soul of dialogue. Can you tell us about this? Alice: In real life, we try to avoid conflict. We want to have pleasant, friendly conversations with friends and strangers alike. In a screenplay, watching nice people have nice conversations is boring. A screenwriter can't just have her characters talking. They have to be talking about something that's at stake in a scene. Presenter: What exercise do you recommend for writers to improve their dialogues? Alice: The best exercises to practice writing conflict are to put two characters in a situation where one person wants something and the other doesn't want to give it to him. Try writing a five or ten-page two-character script with only these two characters. Another good one is to have two people who hate each other get stuck in an elevator. Presenter: What is your favourite room in your home? Alice: My favourite room is my office. It's where I feel most creative. I'm surrounded by books, photographs, pictures, my computer and things I've accumulated over the years that are a comfort to me. I like to feel I'm in a safe place when I write. Presenter: What are some of your current and future projects that you can share with us? Alice: I'm currently working on a screenplay and a new political parody. Presenter: Can you tell us about the Future of Story conference coming up in Los Angeles and what your role is? Alice: The Future of Story conference is for screenwriting what WrestleMania is to professional wrestling. A bunch of authors of popular books on the business will be gathered in one place. I'll be participating in one of the panels. Presenter: What are the benefits for writers attending this conference? Alice: Well, being able to meet and talk to authors of books they have read or heard about is important because it puts a human presence to the words. I've gone to events like Listen the Past as a young writer and met and talked with authors I read and admired. I still recall talking with Harlan Ellison and Dean Arconce. Presenter: Tell us the unique opportunities writers have for networking at this upcoming conference. Alice: Besides meeting and talking with authors, events like this bring kindred spirits and like minds together. Screenwriters from all over the country will be there. Friendships form and even new collaborations too. Presenter: Thank you, Alice, for talking with us today. Alice: I've had some great teachers when I was starting out. It's very gratifying to share what I learnt from them, as well as what I've experienced along the way.