Вы услышите интервью. В заданиях 3–9 запишите в поле ответа цифру 1, 2 или 3, соответствующую выбранному Вами варианту ответа. Прослушайте запись дважды. Пример ответа: 1 5. Second-person fiction makes the reader feel as if they are … 1) solving their problems. 2) talking with a narrator. 3) becoming part of the story

Now we are ready to start. Presenter: Hello everybody and welcome to our weekly program The Writer’s Workshop. Today in our studio we have Chris Black, a writer and teacher living in Los Angeles. He's the author of a flash fiction collection and he's also published over fifty stories in various literary journals. He's been nominated twice for the Pushcart Prize. He is currently chair of creative writing at the California State School for the Arts. Hi, Chris! Chris: Hello everybody. Thank you for inviting me here today. Presenter: You obviously prefer to write in second person. Why so? Chris: I have a theory about writing in second person—wholly untested—that it works best for stories that are inherently about identity. There's an effect that happens when I read a second-person story that reminds me a little of playing a first-person video game, where I'm supposed to be this person, but I also know almost nothing about this person. Second-person fiction reads like that to me. The story is a series of puzzle pieces for readers as we actively participate in assembling the identity of the narrator. Presenter: What is flash fiction and why do you write it? Chris: Flash fiction is a fictional work which is incredibly short, but you can still see character and plot development there. It's a secret of writing an entire book quickly. My collection of forty-five short stories is so short that I never have to decide anything. The form allows me to write a story about the moment before a story, take it right up to the point that something catastrophic will have to happen and then the story's over. The reader is just left there in that moment imagining all the things that might happen next. For me, that not knowing is a more interesting place than the knowing. This is one of the things I love about flash fiction. Presenter: Haven't you ever thought to enlarge your stories? Chris: Well, there are many stories in the collection I could imagine enlarging. The book is basically forty-five inciting incidents for forty-five future novels. Presenter: One of your books is called Fairy Tales for Grownups. What is it about fairy tales that seems to convey the feelings we get from real life? Chris: There are a lot of people who study fairytales as a genre, and I should say I'm not one of those people. I'm no fairytale scholar, but I am a big fan and particularly a fan of the fairytale's ability to evoke deep, resonant, inexplicable horror. What I'm hoping to do with this very book you've mentioned is explore some of the lingering corners of adult psychology that still resonate within the hidden kid fears. There are plenty of things in our lives that don't make sense exactly, but we push them out of focus so we can function as adults in the world. They're still there making a mess of our minds in ways we don't fully understand. Presenter: In your interviews you've mentioned that you walk in the footsteps of Angela Carter. Why have you chosen this writer as a role model for you? Chris: Well, Angela Carter, along with a few other people, basically created the genre of fairytale-inspired fiction. She helped me form a very nonjudgmental view of what that literature can be. She helped reinforce in me this idea that those strange magical stories have value to adults too. But honestly, the thing I admire most about Angela Carter has to do with the enormous compassion and empathy she brought to the characters in her stories. What a gigantic wonderful fair heart she had. That's the kind of writing I want to do too. Presenter: Thank you, Chris. It's been very interesting talking to you. Chris: Thank you. 5. Second-person fiction makes the reader feel as if they are … Ключевая фраза: "Second-person fiction reads like that to me. The story is a series of puzzle pieces for readers as we actively participate in assembling the identity of the narrator." → Читатель становится частью истории. → 3) becoming part of the story.

Вы услышите интервью. В заданиях 3–9 запишите в поле ответа цифру 1, 2 или 3, соответствующую выбранному Вами варианту ответа. Прослушайте запись дважды. Пример ответа: 1 6. What does Chris love about flash fiction? 1) He can write an entire book in one day. 2) He’s able to publish his books quickly. 3) He can give his readers food for thought.

Now we are ready to start. Presenter: Hello everybody and welcome to our weekly program The Writer’s Workshop. Today in our studio we have Chris Black, a writer and teacher living in Los Angeles. He's the author of a flash fiction collection and he's also published over fifty stories in various literary journals. He's been nominated twice for the Pushcart Prize. He is currently chair of creative writing at the California State School for the Arts. Hi, Chris! Chris: Hello everybody. Thank you for inviting me here today. Presenter: You obviously prefer to write in second person. Why so? Chris: I have a theory about writing in second person—wholly untested—that it works best for stories that are inherently about identity. There's an effect that happens when I read a second-person story that reminds me a little of playing a first-person video game, where I'm supposed to be this person, but I also know almost nothing about this person. Second-person fiction reads like that to me. The story is a series of puzzle pieces for readers as we actively participate in assembling the identity of the narrator. Presenter: What is flash fiction and why do you write it? Chris: Flash fiction is a fictional work which is incredibly short, but you can still see character and plot development there. It's a secret of writing an entire book quickly. My collection of forty-five short stories is so short that I never have to decide anything. The form allows me to write a story about the moment before a story, take it right up to the point that something catastrophic will have to happen and then the story's over. The reader is just left there in that moment imagining all the things that might happen next. For me, that not knowing is a more interesting place than the knowing. This is one of the things I love about flash fiction. Presenter: Haven't you ever thought to enlarge your stories? Chris: Well, there are many stories in the collection I could imagine enlarging. The book is basically forty-five inciting incidents for forty-five future novels. Presenter: One of your books is called Fairy Tales for Grownups. What is it about fairy tales that seems to convey the feelings we get from real life? Chris: There are a lot of people who study fairytales as a genre, and I should say I'm not one of those people. I'm no fairytale scholar, but I am a big fan and particularly a fan of the fairytale's ability to evoke deep, resonant, inexplicable horror. What I'm hoping to do with this very book you've mentioned is explore some of the lingering corners of adult psychology that still resonate within the hidden kid fears. There are plenty of things in our lives that don't make sense exactly, but we push them out of focus so we can function as adults in the world. They're still there making a mess of our minds in ways we don't fully understand. Presenter: In your interviews you've mentioned that you walk in the footsteps of Angela Carter. Why have you chosen this writer as a role model for you? Chris: Well, Angela Carter, along with a few other people, basically created the genre of fairytale-inspired fiction. She helped me form a very nonjudgmental view of what that literature can be. She helped reinforce in me this idea that those strange magical stories have value to adults too. But honestly, the thing I admire most about Angela Carter has to do with the enormous compassion and empathy she brought to the characters in her stories. What a gigantic wonderful fair heart she had. That's the kind of writing I want to do too. Presenter: Thank you, Chris. It's been very interesting talking to you. Chris: Thank you. 6. What does Chris love about flash fiction? Ключевая фраза: "The reader is just left there in that moment imagining all the things that might happen next. For me, that not knowing is a more interesting place than the knowing. This is one of the things I love about flash fiction." → Он даёт читателям пищу для размышлений. → 3) He can give his readers food for thought.

Вы услышите интервью. В заданиях 3–9 запишите в поле ответа цифру 1, 2 или 3, соответствующую выбранному Вами варианту ответа. Прослушайте запись дважды. Пример ответа: 1 7. Chris sometimes wants to make his stories … 1) longer. 2) profitable. 3) popular

Now we are ready to start. Presenter: Hello everybody and welcome to our weekly program The Writer’s Workshop. Today in our studio we have Chris Black, a writer and teacher living in Los Angeles. He's the author of a flash fiction collection and he's also published over fifty stories in various literary journals. He's been nominated twice for the Pushcart Prize. He is currently chair of creative writing at the California State School for the Arts. Hi, Chris! Chris: Hello everybody. Thank you for inviting me here today. Presenter: You obviously prefer to write in second person. Why so? Chris: I have a theory about writing in second person—wholly untested—that it works best for stories that are inherently about identity. There's an effect that happens when I read a second-person story that reminds me a little of playing a first-person video game, where I'm supposed to be this person, but I also know almost nothing about this person. Second-person fiction reads like that to me. The story is a series of puzzle pieces for readers as we actively participate in assembling the identity of the narrator. Presenter: What is flash fiction and why do you write it? Chris: Flash fiction is a fictional work which is incredibly short, but you can still see character and plot development there. It's a secret of writing an entire book quickly. My collection of forty-five short stories is so short that I never have to decide anything. The form allows me to write a story about the moment before a story, take it right up to the point that something catastrophic will have to happen and then the story's over. The reader is just left there in that moment imagining all the things that might happen next. For me, that not knowing is a more interesting place than the knowing. This is one of the things I love about flash fiction. Presenter: Haven't you ever thought to enlarge your stories? Chris: Well, there are many stories in the collection I could imagine enlarging. The book is basically forty-five inciting incidents for forty-five future novels. Presenter: One of your books is called Fairy Tales for Grownups. What is it about fairy tales that seems to convey the feelings we get from real life? Chris: There are a lot of people who study fairytales as a genre, and I should say I'm not one of those people. I'm no fairytale scholar, but I am a big fan and particularly a fan of the fairytale's ability to evoke deep, resonant, inexplicable horror. What I'm hoping to do with this very book you've mentioned is explore some of the lingering corners of adult psychology that still resonate within the hidden kid fears. There are plenty of things in our lives that don't make sense exactly, but we push them out of focus so we can function as adults in the world. They're still there making a mess of our minds in ways we don't fully understand. Presenter: In your interviews you've mentioned that you walk in the footsteps of Angela Carter. Why have you chosen this writer as a role model for you? Chris: Well, Angela Carter, along with a few other people, basically created the genre of fairytale-inspired fiction. She helped me form a very nonjudgmental view of what that literature can be. She helped reinforce in me this idea that those strange magical stories have value to adults too. But honestly, the thing I admire most about Angela Carter has to do with the enormous compassion and empathy she brought to the characters in her stories. What a gigantic wonderful fair heart she had. That's the kind of writing I want to do too. Presenter: Thank you, Chris. It's been very interesting talking to you. Chris: Thank you. 7. Chris sometimes wants to make his stories … Ключевая фраза: "there are many stories in the collection I could imagine enlarging." → Он иногда хочет сделать их длиннее. → 1) longer.

Вы услышите интервью. В заданиях 3–9 запишите в поле ответа цифру 1, 2 или 3, соответствующую выбранному Вами варианту ответа. Прослушайте запись дважды. Пример ответа: 1 8. According to Chris, what is special about fairy-tale-inspired fiction? 1) It helps readers to understand themselves better. 2) It focuses on some horrible things that always happen. 3) It can enable one to work as an adult psychologist.

Now we are ready to start. Presenter: Hello everybody and welcome to our weekly program The Writer’s Workshop. Today in our studio we have Chris Black, a writer and teacher living in Los Angeles. He's the author of a flash fiction collection and he's also published over fifty stories in various literary journals. He's been nominated twice for the Pushcart Prize. He is currently chair of creative writing at the California State School for the Arts. Hi, Chris! Chris: Hello everybody. Thank you for inviting me here today. Presenter: You obviously prefer to write in second person. Why so? Chris: I have a theory about writing in second person—wholly untested—that it works best for stories that are inherently about identity. There's an effect that happens when I read a second-person story that reminds me a little of playing a first-person video game, where I'm supposed to be this person, but I also know almost nothing about this person. Second-person fiction reads like that to me. The story is a series of puzzle pieces for readers as we actively participate in assembling the identity of the narrator. Presenter: What is flash fiction and why do you write it? Chris: Flash fiction is a fictional work which is incredibly short, but you can still see character and plot development there. It's a secret of writing an entire book quickly. My collection of forty-five short stories is so short that I never have to decide anything. The form allows me to write a story about the moment before a story, take it right up to the point that something catastrophic will have to happen and then the story's over. The reader is just left there in that moment imagining all the things that might happen next. For me, that not knowing is a more interesting place than the knowing. This is one of the things I love about flash fiction. Presenter: Haven't you ever thought to enlarge your stories? Chris: Well, there are many stories in the collection I could imagine enlarging. The book is basically forty-five inciting incidents for forty-five future novels. Presenter: One of your books is called Fairy Tales for Grownups. What is it about fairy tales that seems to convey the feelings we get from real life? Chris: There are a lot of people who study fairytales as a genre, and I should say I'm not one of those people. I'm no fairytale scholar, but I am a big fan and particularly a fan of the fairytale's ability to evoke deep, resonant, inexplicable horror. What I'm hoping to do with this very book you've mentioned is explore some of the lingering corners of adult psychology that still resonate within the hidden kid fears. There are plenty of things in our lives that don't make sense exactly, but we push them out of focus so we can function as adults in the world. They're still there making a mess of our minds in ways we don't fully understand. Presenter: In your interviews you've mentioned that you walk in the footsteps of Angela Carter. Why have you chosen this writer as a role model for you? Chris: Well, Angela Carter, along with a few other people, basically created the genre of fairytale-inspired fiction. She helped me form a very nonjudgmental view of what that literature can be. She helped reinforce in me this idea that those strange magical stories have value to adults too. But honestly, the thing I admire most about Angela Carter has to do with the enormous compassion and empathy she brought to the characters in her stories. What a gigantic wonderful fair heart she had. That's the kind of writing I want to do too. Presenter: Thank you, Chris. It's been very interesting talking to you. Chris: Thank you. 8. According to Chris, what is special about fairy-tale-inspired fiction? Ключевая фраза: "explore some of the lingering corners of adult psychology that still resonate within the hidden kid fears." → Это помогает читателям лучше понять себя. → 1) It helps readers to understand themselves better.

Вы услышите интервью. В заданиях 3–9 запишите в поле ответа цифру 1, 2 или 3, соответствующую выбранному Вами варианту ответа. Прослушайте запись дважды. Пример ответа: 1 9. What does Chris admire most about Angela Carter? 1) She taught him the basics of writing. 2) Many of her characters are kind people. 3) She created a new literary genre.

Now we are ready to start. Presenter: Hello everybody and welcome to our weekly program The Writer’s Workshop. Today in our studio we have Chris Black, a writer and teacher living in Los Angeles. He's the author of a flash fiction collection and he's also published over fifty stories in various literary journals. He's been nominated twice for the Pushcart Prize. He is currently chair of creative writing at the California State School for the Arts. Hi, Chris! Chris: Hello everybody. Thank you for inviting me here today. Presenter: You obviously prefer to write in second person. Why so? Chris: I have a theory about writing in second person—wholly untested—that it works best for stories that are inherently about identity. There's an effect that happens when I read a second-person story that reminds me a little of playing a first-person video game, where I'm supposed to be this person, but I also know almost nothing about this person. Second-person fiction reads like that to me. The story is a series of puzzle pieces for readers as we actively participate in assembling the identity of the narrator. Presenter: What is flash fiction and why do you write it? Chris: Flash fiction is a fictional work which is incredibly short, but you can still see character and plot development there. It's a secret of writing an entire book quickly. My collection of forty-five short stories is so short that I never have to decide anything. The form allows me to write a story about the moment before a story, take it right up to the point that something catastrophic will have to happen and then the story's over. The reader is just left there in that moment imagining all the things that might happen next. For me, that not knowing is a more interesting place than the knowing. This is one of the things I love about flash fiction. Presenter: Haven't you ever thought to enlarge your stories? Chris: Well, there are many stories in the collection I could imagine enlarging. The book is basically forty-five inciting incidents for forty-five future novels. Presenter: One of your books is called Fairy Tales for Grownups. What is it about fairy tales that seems to convey the feelings we get from real life? Chris: There are a lot of people who study fairytales as a genre, and I should say I'm not one of those people. I'm no fairytale scholar, but I am a big fan and particularly a fan of the fairytale's ability to evoke deep, resonant, inexplicable horror. What I'm hoping to do with this very book you've mentioned is explore some of the lingering corners of adult psychology that still resonate within the hidden kid fears. There are plenty of things in our lives that don't make sense exactly, but we push them out of focus so we can function as adults in the world. They're still there making a mess of our minds in ways we don't fully understand. Presenter: In your interviews you've mentioned that you walk in the footsteps of Angela Carter. Why have you chosen this writer as a role model for you? Chris: Well, Angela Carter, along with a few other people, basically created the genre of fairytale-inspired fiction. She helped me form a very nonjudgmental view of what that literature can be. She helped reinforce in me this idea that those strange magical stories have value to adults too. But honestly, the thing I admire most about Angela Carter has to do with the enormous compassion and empathy she brought to the characters in her stories. What a gigantic wonderful fair heart she had. That's the kind of writing I want to do too. Presenter: Thank you, Chris. It's been very interesting talking to you. Chris: Thank you. 9. What does Chris admire most about Angela Carter? Ключевая фраза: "the thing I admire most about Angela Carter has to do with the enormous compassion and empathy she brought to the characters in her stories." → Многие её персонажи — добрые люди. → 2) Many of her characters are kind people.