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ЕГЭ по английскому языку

Прочитайте текст и заполните пропуски A–F частями предложений, обозначенными цифрами 1–7. Одна из частей в списке 1–7 лишняя. 

Пример ответа: 1234567

Petrushka

Petrushka is a character from Russian folk puppetry. Traditionally dressed in red, with a red kolpak, or pointed hat, Petrushka was a humorous fellow A _______________________ .

 Petrushka first came to life, so to speak, sometime in the 18th century during Empress Anna Ioannovna's reign. In the Empress’s court was a man named Pietro-Mira Pedrillo, of Italian descent, B _______________________ . It was this mans character and style that became the basis for Petrushka. In fact, the name Petrushka is a diminutive form of the name Pyotr (Peter, or Pietro in Italian).

 In the beginning, Petrushka was intended for an adult audience. The plots of the puppets theatrical plays were about a variety of common, meaningful occurrences in a Russians life: a visit to a medical practitioner, learning military service, or a marriage ceremony, to name a few. The plots employed the use of interactive humour C _______________________ .

 Over time, puppet theatre moved away from adult-themed entertainment and towards childrens fare. Because of this, some of the long-running and less savoury characters had to be retired. Still, the humour of the shows was considered sharp-witted enough D _______________________ .

 An interesting aspect of Petrushka, as with other puppet shows, is his unusual voice, made to sound like a funny whistle, or kazoo. This would add a buzzing sound to the character’s speech, E _______________________. Mr Punch of Punch and Judy shows in the UK is one character with a similar voice.

 Petrushka was famously made into a ballet in 1911 by Russian ballet composer Igor Stravinsky. The ballet tells a coming-to-life story of the puppet F _______________________ .

1. to provide entertainment for both children and their parents

2. and follows his journeys as he discovers his thoughts and emotions

3. to force many puppeteers to seek alternative sources of income

4. who entertained the empress during leisurely afternoons

5. which could also be heard in famous puppet shows of other countries

6. whose persona was based on the personality of a court jester

7. which allowed the audience to participate in the various shows

Прочитайте текст и выполните задания 12–18. В каждом задании запишите в поле ответа цифру 1, 2, 3 или 4, соответствующую выбранному Вами варианту ответа.

Пример ответа: 1

How a Paris abbey became a science museum

A trip to Europe without visiting museums would be like a trip to Fiji without visiting a beach. It just seems wrong to ignore such an embarrassment of riches. So when I was in France last year, I dutifully walked through museums, but I soon noticed a strange phenomenon. Every time I think about going to a museum, it seems like a fascinating way to spend an afternoon, but once I get there, I almost always find myself getting very sleepy by the time I get to the second gallery. I try to be enthusiastic … but usually I’m no match for the long halls of display cases.

There is an exception to this rule, though: science museums. I love inventions and gadgets, getting to know how things work and how people went about solving very difficult problems. I can stay awake in a good science museum indefinitely. So while in Paris, I visited the Conservatory of Arts and Trades. Part of this centuries-old institution is a museum that’s open to the public, and it contains a fascinating variety of objects and exhibits including the original Foucault’s Pendulum.

The Conservatory is off the beaten path; most English guidebooks don’t even mention it. It does, however, attract a certain number of pilgrims who were fascinated by Umberto Eco’s novel Foucault’s Pendulum, part of which takes place there. In the novel, a secret passage under the floor of the nave connects with the Paris sewers. That isn’t the case in reality, but truth is perhaps more interesting than fiction. There is something under the floor of the nave, a curious part of the building’s long and strange history.

The foundation for the abbey church of St. Martin of the Fields was laid around 1059, about the time of the Norman conquest. Over the next centuries, numerous additions and renovations were undertaken. All that changed in the French Revolution when under the name of Conservatory of Arts and Trades, it became a depository for machines, models, tools, drawings, descriptions and books in all the areas of the arts and trades. It officially opened in 1802.

The museum closed for a renovation in 1993, and as part of the process, archaeological excavations were undertaken beneath the floor of the nave. For the entire history of the church, there had been stories that the site on which it stood was once a Merovingian funerary basilica, but this had never been proven. What archaeologists discovered was a large necropolis dating from the 6th or 7th century with about 100 plaster coffins inside. The tales were indeed true.

When the museum reopened a few years later, it was a typical shiny and   up-to-date science museum. But it was decided that their thousands of additional articles should be made available to scholars even when they’re not on exhibit. So they opened a satellite facility in the nearby town of Saint-Denis, where by appointment only qualified researchers can go to examine the rest of the museum’s collection.

I’ve been to the Conservatory in 2000 and in 2003. As a science museum I found it a sheer delight. The former abbey is only a portion of the museum, and the museum is only a portion of the Conservatory. But all the history of the building and the institution seems to be concentrated in the large nave with its bones beneath and gadgets above. The odd contrast of centuries of monastic simplicity with centuries of technological progress tickles me in a way I can’t easily describe. Perhaps the Pendulum says it best: as a scientific wonder that’s also meditatively simple, it symbolically bridges the illusory divide between technology and spirituality.

12. According to the author, visiting museums in Europe is considered to …

1) become more and more popular.

2) be an integral part of any journey.

3) show the level of one’s education.

4) be the evidence of general curiosity.

Прочитайте текст и выполните задания 12–18. В каждом задании запишите в поле ответа цифру 1, 2, 3 или 4, соответствующую выбранному Вами варианту ответа.

Пример ответа: 1

How a Paris abbey became a science museum

A trip to Europe without visiting museums would be like a trip to Fiji without visiting a beach. It just seems wrong to ignore such an embarrassment of riches. So when I was in France last year, I dutifully walked through museums, but I soon noticed a strange phenomenon. Every time I think about going to a museum, it seems like a fascinating way to spend an afternoon, but once I get there, I almost always find myself getting very sleepy by the time I get to the second gallery. I try to be enthusiastic … but usually I’m no match for the long halls of display cases.

There is an exception to this rule, though: science museums. I love inventions and gadgets, getting to know how things work and how people went about solving very difficult problems. I can stay awake in a good science museum indefinitely. So while in Paris, I visited the Conservatory of Arts and Trades. Part of this centuries-old institution is a museum that’s open to the public, and it contains a fascinating variety of objects and exhibits including the original Foucault’s Pendulum.

The Conservatory is off the beaten path; most English guidebooks don’t even mention it. It does, however, attract a certain number of pilgrims who were fascinated by Umberto Eco’s novel Foucault’s Pendulum, part of which takes place there. In the novel, a secret passage under the floor of the nave connects with the Paris sewers. That isn’t the case in reality, but truth is perhaps more interesting than fiction. There is something under the floor of the nave, a curious part of the building’s long and strange history.

The foundation for the abbey church of St. Martin of the Fields was laid around 1059, about the time of the Norman conquest. Over the next centuries, numerous additions and renovations were undertaken. All that changed in the French Revolution when under the name of Conservatory of Arts and Trades, it became a depository for machines, models, tools, drawings, descriptions and books in all the areas of the arts and trades. It officially opened in 1802.

The museum closed for a renovation in 1993, and as part of the process, archaeological excavations were undertaken beneath the floor of the nave. For the entire history of the church, there had been stories that the site on which it stood was once a Merovingian funerary basilica, but this had never been proven. What archaeologists discovered was a large necropolis dating from the 6th or 7th century with about 100 plaster coffins inside. The tales were indeed true.

When the museum reopened a few years later, it was a typical shiny and   up-to-date science museum. But it was decided that their thousands of additional articles should be made available to scholars even when they’re not on exhibit. So they opened a satellite facility in the nearby town of Saint-Denis, where by appointment only qualified researchers can go to examine the rest of the museum’s collection.

I’ve been to the Conservatory in 2000 and in 2003. As a science museum I found it a sheer delight. The former abbey is only a portion of the museum, and the museum is only a portion of the Conservatory. But all the history of the building and the institution seems to be concentrated in the large nave with its bones beneath and gadgets above. The odd contrast of centuries of monastic simplicity with centuries of technological progress tickles me in a way I can’t easily describe. Perhaps the Pendulum says it best: as a scientific wonder that’s also meditatively simple, it symbolically bridges the illusory divide between technology and spirituality.

13. What does the author think about museums?

1) The European museums are the best.

2) He finds most of them to be boring.

3) There should be only science museums.

4) He thinks they are a waste of money.

Прочитайте текст и выполните задания 12–18. В каждом задании запишите в поле ответа цифру 1, 2, 3 или 4, соответствующую выбранному Вами варианту ответа.

Пример ответа: 1

How a Paris abbey became a science museum

A trip to Europe without visiting museums would be like a trip to Fiji without visiting a beach. It just seems wrong to ignore such an embarrassment of riches. So when I was in France last year, I dutifully walked through museums, but I soon noticed a strange phenomenon. Every time I think about going to a museum, it seems like a fascinating way to spend an afternoon, but once I get there, I almost always find myself getting very sleepy by the time I get to the second gallery. I try to be enthusiastic … but usually I’m no match for the long halls of display cases.

There is an exception to this rule, though: science museums. I love inventions and gadgets, getting to know how things work and how people went about solving very difficult problems. I can stay awake in a good science museum indefinitely. So while in Paris, I visited the Conservatory of Arts and Trades. Part of this centuries-old institution is a museum that’s open to the public, and it contains a fascinating variety of objects and exhibits including the original Foucault’s Pendulum.

The Conservatory is off the beaten path; most English guidebooks don’t even mention it. It does, however, attract a certain number of pilgrims who were fascinated by Umberto Eco’s novel Foucault’s Pendulum, part of which takes place there. In the novel, a secret passage under the floor of the nave connects with the Paris sewers. That isn’t the case in reality, but truth is perhaps more interesting than fiction. There is something under the floor of the nave, a curious part of the building’s long and strange history.

The foundation for the abbey church of St. Martin of the Fields was laid around 1059, about the time of the Norman conquest. Over the next centuries, numerous additions and renovations were undertaken. All that changed in the French Revolution when under the name of Conservatory of Arts and Trades, it became a depository for machines, models, tools, drawings, descriptions and books in all the areas of the arts and trades. It officially opened in 1802.

The museum closed for a renovation in 1993, and as part of the process, archaeological excavations were undertaken beneath the floor of the nave. For the entire history of the church, there had been stories that the site on which it stood was once a Merovingian funerary basilica, but this had never been proven. What archaeologists discovered was a large necropolis dating from the 6th or 7th century with about 100 plaster coffins inside. The tales were indeed true.

When the museum reopened a few years later, it was a typical shiny and   up-to-date science museum. But it was decided that their thousands of additional articles should be made available to scholars even when they’re not on exhibit. So they opened a satellite facility in the nearby town of Saint-Denis, where by appointment only qualified researchers can go to examine the rest of the museum’s collection.

I’ve been to the Conservatory in 2000 and in 2003. As a science museum I found it a sheer delight. The former abbey is only a portion of the museum, and the museum is only a portion of the Conservatory. But all the history of the building and the institution seems to be concentrated in the large nave with its bones beneath and gadgets above. The odd contrast of centuries of monastic simplicity with centuries of technological progress tickles me in a way I can’t easily describe. Perhaps the Pendulum says it best: as a scientific wonder that’s also meditatively simple, it symbolically bridges the illusory divide between technology and spirituality.

14. Which of the following does NOT explain the author’s love for science museums?

1) He loves history of gadgets.

2) There is a chance to see how mechanisms work.

3) It’s possible to touch the things that he likes.

4) The author likes stories of inventions.

Прочитайте текст и выполните задания 12–18. В каждом задании запишите в поле ответа цифру 1, 2, 3 или 4, соответствующую выбранному Вами варианту ответа.

Пример ответа: 1

How a Paris abbey became a science museum

A trip to Europe without visiting museums would be like a trip to Fiji without visiting a beach. It just seems wrong to ignore such an embarrassment of riches. So when I was in France last year, I dutifully walked through museums, but I soon noticed a strange phenomenon. Every time I think about going to a museum, it seems like a fascinating way to spend an afternoon, but once I get there, I almost always find myself getting very sleepy by the time I get to the second gallery. I try to be enthusiastic … but usually I’m no match for the long halls of display cases.

There is an exception to this rule, though: science museums. I love inventions and gadgets, getting to know how things work and how people went about solving very difficult problems. I can stay awake in a good science museum indefinitely. So while in Paris, I visited the Conservatory of Arts and Trades. Part of this centuries-old institution is a museum that’s open to the public, and it contains a fascinating variety of objects and exhibits including the original Foucault’s Pendulum.

The Conservatory is off the beaten path; most English guidebooks don’t even mention it. It does, however, attract a certain number of pilgrims who were fascinated by Umberto Eco’s novel Foucault’s Pendulum, part of which takes place there. In the novel, a secret passage under the floor of the nave connects with the Paris sewers. That isn’t the case in reality, but truth is perhaps more interesting than fiction. There is something under the floor of the nave, a curious part of the building’s long and strange history.

The foundation for the abbey church of St. Martin of the Fields was laid around 1059, about the time of the Norman conquest. Over the next centuries, numerous additions and renovations were undertaken. All that changed in the French Revolution when under the name of Conservatory of Arts and Trades, it became a depository for machines, models, tools, drawings, descriptions and books in all the areas of the arts and trades. It officially opened in 1802.

The museum closed for a renovation in 1993, and as part of the process, archaeological excavations were undertaken beneath the floor of the nave. For the entire history of the church, there had been stories that the site on which it stood was once a Merovingian funerary basilica, but this had never been proven. What archaeologists discovered was a large necropolis dating from the 6th or 7th century with about 100 plaster coffins inside. The tales were indeed true.

When the museum reopened a few years later, it was a typical shiny and   up-to-date science museum. But it was decided that their thousands of additional articles should be made available to scholars even when they’re not on exhibit. So they opened a satellite facility in the nearby town of Saint-Denis, where by appointment only qualified researchers can go to examine the rest of the museum’s collection.

I’ve been to the Conservatory in 2000 and in 2003. As a science museum I found it a sheer delight. The former abbey is only a portion of the museum, and the museum is only a portion of the Conservatory. But all the history of the building and the institution seems to be concentrated in the large nave with its bones beneath and gadgets above. The odd contrast of centuries of monastic simplicity with centuries of technological progress tickles me in a way I can’t easily describe. Perhaps the Pendulum says it best: as a scientific wonder that’s also meditatively simple, it symbolically bridges the illusory divide between technology and spirituality.

15. According to the author, the Conservatory is popular with the …

1) local people.

2) fans of a famous book.

3) English guides.

4) scholars.